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The term umlaut is used for two closely related notions: a special kind of vowel modification and a particular diacritic mark. accent breve ( ˘ ) hook / dấu hỏi ( ̉ ) apostrophe ( ’ ) In linguistics, the process of umlaut (from German um- "changed", "transformation" + Laut "sound") is a modification of a vowel which causes it to be pronounced more similarly to a vowel or semivowel in a following syllable. This process is found in many languages. The term umlaut was originally coined and is principally used in connection with the study of the Germanic languages. In umlaut, a back vowel is modified to the check point umlaut associated front vowel when the following syllable contains [ i ], [ ī ] or [ j ] (the sound of English <y>). This process took place separately in the various Germanic languages starting around 450 or 500 AD, and affected all of the early languages except for Gothic. Umlaut should be clearly distinguished from other historical vowel phenomena such as the earlier Indo-European ablaut (vowel gradation), which is observable in the declension of Germanic strong verbs such as sing/sang/sung. Although umlaut itself has nothing to do with grammatical function, the resulting vowel changes often took on such a function. We can see this in the English word man; in ancient Germanic, the plural had the same vowel, but also a plural suffix -ir. The suffix caused fronting of the vowel, and when the suffix later disappeared, the mutated vowel remained as the only plural marker: men. In English, such umlaut-plurals are rare, but other examples are tooth/teeth and goose/geese; compare also long (adj)/length (n). Umlaut is conspicuous when it occurs in one of such a pair of forms, but it should be remembered that many English words contain a vowel which has been mutated in this way, but which does not now have a parallel unmutated form; umlaut need not carry a grammatical function. (table adapted from Malmkjær 2002) In German, umlaut as a marker of the plural of nouns is a regular feature of the language, and although umlaut itself is no longer a productive force in German, german umlauts new plurals of this type can be created by analogy. Likewise, umlaut marks the punctuation marks explained umlaut comparative of many adjectives. Because of the grammatical importance of such pairs, the German umlaut diacritic (see below) was developed, making the phenomenon very visible. The result in German is that the vowels <a>, <o>, and <u> become <ä>, <ö>, and <ü>, and the diphthong <au> becomes <äu>: Mann/Männer ("man/men"), lang/länger ("long/longer"), Haus/Häuser ("house/houses"). (On the phonetic realisation of these, see the article on German phonology.) However, German orthography is not entirely consistent in this. The adjective fertig ("finished"; originally "ready to go") contains an umlaut mutation, but it is spelled with e rather than ä as its relationship to Fahrt (journey) has for most speakers umlaut of the language been lost from sight. On the other hand, German spells Känguruh ("Kangaroo") with an <ä>, although the origins of this vowel have nothing to do with umlaut; this is an English loan-word, and the diacritic is being used in mimicry of the English grapheme-phoneme relationship. Two interesting examples of umlaut involve vowel distinctions in Germanic verbs. Often these are subsumed under the heading "ablaut" in descriptions of Germanic verbs, but their origin is distinct. The German word Rückumlaut ("reverse umlaut") is the slightly misleading term given to the vowel distinction between present umlaut windows and past tense forms of certain Germanic weak verbs. Examples in English are think/thought, bring/brought, tell/told, sell/sold. (These verbs have a dental -t or -d as a tense marker, therefore they are weak and the vowel change cannot be conditioned by ablaut.) The presence of umlaut is possibly more obvious in German denken/dachte ("think/thought"), especially if we remember that in German the letters <ä> and <e> are usually phonetically equivalent. The Proto-Germaic verb would have been *þankjan; the /j/ caused umlaut in all the forms which had the suffix; subsequently the /j/ disappeared. The term "reverse umlaut" indicates that if, with traditional grammar, we take the infinitive and present tense as our starting point, there is an illusion of a vowel-shift towards the back of the mouth (so to speak, <ä>→<a>) in the past tense, but of course the historical development was simply umlaut in the present tense forms. A variety of umlaut occurs in the 2nd and 3rd person singular forms of the present tense of some Germanic strong verbs. For example German fangen ("to catch") has the present tense ich fange, du fängst, er fängt. Subsequent developments mean that this phenomenon does not always look umlaut com education like umlaut. For example geben ("give") has the present tense ich gebe, du gibst, er gibt, though the shift e→i would not be a normal result of umlaut in German. For all practical purposes this can be included in the ablaut tables (as used when teaching German as a second language, for example, or in Old English text books), but its origin is not ablaut. Parallel phenomena in other languages may also be termed umlaut, though there may be a tendency to use other terms such as i-mutation when the reference is not to Germanic. For example, the word "affection" is used for umlaut in the Celtic languages. Examples of the umlaut phenomenon can be found in other branches of the Indo-European language family (though as independent developments, since umlaut occurred after the break-up of Proto-Indo-European) and also in Semitic and many other non-IE languages. Some people use the term umlaut more widely to include other kinds of sound change. Occasionally one hears the phrase a-umlaut for a-mutation, for example. However other terms are available for greater precision. See the general article on metaphony. The word umlaut is also used to refer to the umlaut keys for powerpoint diacritical mark composed of two small dots placed over a vowel ( ¨ ) to indicate this phonological phenomenon in German, and in several other languages which have borrowed the symbol from German. The umlauts are ä, ö, and ü. This should be distinguished from diaeresis, a similar mark used to indicate a diphthong in other languages. The umlaut dots are very close to the letter's body in a well-designed font, while the diaeresis dots are a bit further above — in computer screen fonts the difference is usually not noticeable, but in printed material it is. In today's Germany, the ß character is often counted among umlauts as well, though this is purely a practical consideration - both umlauts and ß are characters present in German writing but not in English writing, both are not in ASCII, and thus they often cause the same kind of problems, especially in all kinds of digital text processing. Originally, umlaut was denoted in written German by adding an e to the german umlaut affected vowel, either after the vowel or, in small form, above it. (In medieval German manuscripts, other digraphs could also be written using superscripts: in bluome ("flower"), for example, the <o> was frequently placed above the <u>.) In blackletter handwriting as used in German manuscripts of the later Middle Ages, and also in many printed texts of the early modern period, the superscript <e> still had a form which would be recognisable to us as an <e>. However, in the forms of handwriting which emerged in the early modern period (of which Sütterlin is the latest and best known example), the letter <e> had two strong vertical lines, and the superscript <e> looked like two tiny strokes. Gradually these strokes were reduced to dots, and as early as the 16th century we find this handwritten convention being transferred sporadically to printed texts too. When typing German, if umlaut letters are not available, the proper way is to replace them with the underlying vowel and a following <e>. So, for example, "Schröder" becomes "Schroeder". As the pronunciation differs greatly between the normal letter and the umlaut, simply omitting the dots is considered incorrect and irritates native speakers. The result might often be a different word, and in fact sentences can be constructed where the meaning would change, for example "Der Hauptmann gab den Soldaten Stützen/Stutzen", in English: "The captain gave the soldiers supports/short rifles.". Another example of incorrect practice is referring to Düsseldorf (named after the river Düssel, a tributary of the Rhine) as Dusseldorf, which literally means dimwit village. Despite this, the umlauted letters are not considered part of the alphabet trema or umlaut proper. When alphabetically sorting German words, the umlaut is treated like the underlying vowel; if two words differ only by an umlaut, the umlauted one comes second, for example: There's a second system in use, mostly for sorting how to type umlauts names (colloquially called "telephone directory sorting"), which treats ü like ue, and so on. Austrian telephone directories insert ü after uz. In Switzerland, capital umlauts are sometimes printed as digraphs, in other words, <Ae>, <Oe>, <Ue>, instead of <Ä>, <Ö>, <Ü>. (See German alphabet for an elaboration.) Some languages have borrowed some of the forms of the letters Ä, Ö, or Ü, for example Estonian, Finnish, Hungarian, Karelian, the Sami languages, Slovak and Turkish. For example, Estonian alphabet has borrowed <ä>, <ö> and <ü> from German, Finnish has <ä> and <ö>, Slovak has <ä> and Turkish has <ü> and <ö>. These characters are not umlauts because they are not a result of the phonological process of umlaut, even if they denote similar sounds to the German ones. Consequently, they are considered independent graphemes, and may not be replaced with <ae>, <oe>, or <ue> as in German. In Estonian and Finnish, for example, these latter diphthongs have independent meanings. Even some Germanic languages such as Swedish treat them as independent letters. In collation, this means they have their own positions in the alphabet, for example at the end ("A–Ö", not "A–Z") as in Swedish and Finnish, which means that the dictionary order is different from German. The Estonian, Finnish and umlauts Sami languages use <ä> and <ö> to denote [ æ ] and [ ø ]. Hungarian, on the other hand, has <ü> and <ö>. The Slovak language uses the letter <ä> to denote [ ɛ ] (or a bit archaic but still correct [ æ ]) — the sign is called dve bodky ("two dots"), and the full name of the letter ä is a s dvomi bodkami ("a with two dots"). Swedish has <ä> and <ö>, and there is similar alteration between [ æ ] and [ ɛ ] with /ä/. By analogy with umlaut, various scripts including the International Phonetic Alphabet place two dots above other letters. In Dutch, when the letters ij come together in handwriting, they may appear like a 'y' with two dots above it, and the analogy with umlaut has led to this occasionally being printed in this way: 'ÿ'. Jacaltec, a Mayan dialect, and Malagasy are the only languages to allow a pair of dots over the letter "n". For the symbol in French and Spanish which looks like Umlaut, german umlaut chart see Diaeresis. The umlaut diacritic can be used in "sensational spellings", for example in advertising, or for other special effects. As the German short a is more open than the equivalent sound in English (/æ/), Germans sometimes use the diacritic ä to imitate the English sound in writing, giving an English "feel" to words used in advertising; in a McDonald's restaurant in Germany one can buy a "Big Mäc". Since the letter ü is very common in Turkish, its inappropriate use can make a text in another language look "turkified", a purely visual mimicry. Because of the large number of Turks living in Germany, this again is a phenomenon familiar in German. The Turkish-German satirist Osman Engin, for example, wrote a book entitled Dütschlünd, Dütschlünd übür üllüs - the opening line of the former German national anthem, but turkified! In the heavy metal scene, the umlaut diacritic can frequently be observed as a mere decoration (with no significance for the pronunciation) on the names of bands such as Motörhead; see the article heavy metal umlaut. An interestingly self-referential example is the Finnish group Ümlaut. In HTML umlauts can be entered with an In addition to the umlauts, some dotted vowels (as with the ï in Montjuïc) may be valid in different alphabets. On Microsoft Windows keyboard layouts that do not have umlaut characters, these characters can be entered by pressing the left Alt key, and entering the full ANSI numeric code on the numeric keypad, provided that the compatible code page is used as a system code page. You can also use numbers from Code page 850; these lack a leading 0. On a computer running MacOS umlauts can be entered be pressing option-u, followed by the vowel to have an umlaut above it. X-based systems with the Compose key can usually enter umlauted characters by typing Compose, " followed by the letter. |
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